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Crafting a crafted Birkin bag is a laborious procedure that demands unequaled skill and precision. Created by craftspeople with years of experience, every Birkin-style is a testament to the dedication and craftsmanship that characterize luxury style. Such craftspeople carefully select the finest hides, guaranteeing each skin fulfills the elevated required for a Birkin. The process includes cutting, stitching, and assembling the bag by hand, with every thread carefully thought out. The attention to detail in a crafted Birkin is unmatched. Craftspeople commit several days or even weeks to complete a one purse, displaying their commitment to excellence. From the subtle horseback sewing to the perfect edges, each element of the Birkin-style embodies the artisan's skill and commitment to excellence. This degree of craftsmanship just guarantees a stunning completed item but also guarantees durability, rendering every Birkin purse a worthy investment for luxury shoppers. Within a world where robots frequently substitute human contact, handmade Birkins remain as a homage to traditional craftsmanship. The artisanal process imbues every bag with a unique personality and essence, setting them aside from conveyor-belt opulence items. For style enthusiasts who value authenticity and craftsmanship, having a handmade Birkin is similar to owning a work of art.
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A Symbol of Elegance In Luxury Fashion This Hermes Birkin Bag is recognized as a symbol of elegance and exclusivity. Within its many variations the Hermes 25 Birkin Orange Togo Minium with Palladium Hardware comes across as an extraordinary piece celebrated for its bold bright color and exquisite detailing. Recognized for its restricted availability this bag not only draws attention yet also represents an extensive legacy in the realm of high fashion. For fashion followers luxury shoppers and top-tier collectors the Birkin 25 signifies something beyond a handbag—. It is an emblem of prestige and a valuable asset. In this discussion our goal is to understand the allure of the Hermes Birkin 25 covering its design nuances to its role in sustainable fashion and why it continues to be a coveted piece in any fashion-forward wardrobe. Unveiling the Birkin 25s Appeal What marks the Birkin 25 as unique is its distinct combination of vibrant color and superior material. The Orange Minium shade is vibrant captivating and embodies youthful dynamism and refined taste. Constructed from Togo leather praised for its robustness combined with a soft texture this bag is intended for longevity without losing its premium look. The use of Palladium hardware enhances its modern sophistication contrasting beautifully with the bag’s orange hue. In addition to being non-tarnishing this metal but also enhances the overall design making it a versatile piece that complements various styles and outfits. All Birkin 25s are artfully fashioned with meticulous attention to detail reflecting the artisanal skill that Hermes is famous for. The process involves numerous skilled artisans and can take up to 18 hours to complete a single bag. The craftsmanship behind the Birkin 25 speaks to its exclusivity and the dedication Hermes places on ensuring each piece is flawless. This commitment to quality is what makes owning a Birkin a unique experience cherished by collectors and appreciated by fashion experts globally. Sustainable Practices in the Hermes Birkin 25 Though high-end apparel frequently receives criticism for its environmental impact Hermes has taken steps in the direction of incorporating eco-friendly methods in its manufacturing processes. The company’s dedication for excellence as well as endurance implies that all Birkins is designed to last a lifetime decreasing the need for constant substitutions and minimizing waste. The esteemed brand is equally committed to sustainable sourcing of materials guaranteeing that all leather employed in its products can be traced while upholding ethical standards. This sustainable approach doesnt solely enhances the brands reputation but also appeals to environmentally-conscious shoppers who prioritize eco-friendly practices when buying. By investing in the iconic Birkin 25 customers find assurance what theyve acquired backs a brand that cherishes sustainable methods and honest crafting. Such convergence with sustainable luxury positions the Birkin 25 as more than a style item elevating it as a mindful decision for anyone seeking for a constructive influence ecologically. Investment Potential of Birkin 25 Beyond its aesthetic appeal Hermess Birkin 25 possesses notable investment potential often outperforming conventional investment routes including shares and bonds. Because of its limited nature and the high demand the Birkin 25 enjoys a robust resale market where it can fetch prices beyond initial sale prices. Several reasons account for the enduring worth for this handbag. The bag’s limited supply ensures that demand steadily surpasses supply raising its market value. Furthermore its excellent craftsmanship with high-quality components ensures enduring durability turning it into a collectors item. Prospective buyers of a Birkin 25 its prospect for long-term gains is appealing. Besides adding a touch of luxury to ones wardrobe but it also represents a smart financial decision given its proven track record of appreciation over time. Summary The striking Birkin 25 in Orange Minium with Togo Leather and Palladium Accents demonstrates the lasting sophistication https://colab.research.google.com/drive/1vzeUkO-BtWB6qfElu3DmPM1hDJMF61X...
A ring found among the debris of Florida’s recent hurricanes awaits its owner
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Scattered across Florida’s hurricane-ravaged communities are piles of debris, remnants of what were once homes. Cherished memories — photo albums, family heirlooms, and tokens of love — swallowed by floodwaters and carried miles away, are now reduced to mere fragments and discarded amid the wreckage.
But in one of these piles of lost memories, a small, inconspicuous velvet black box was discovered with a ring and a note that read: “I was 18 when my parents gave it to me.” https://kra17c.cc
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Now, Joe Kovach, the engineer managing one of the debris sites in Tarpon Springs, Florida, where the box was found, is searching for its owner.
“Everyone has been basically dumping their entire lives onto the curb after the storm when everything flooded. My own boss’ house had 30 inches (of water) in it, and I saw his face and just how devastating it can be for everyone,” Kovach, an engineer with Pinellas County Public Works, told CNN.
“A lot of people in the community were really affected by these two storms, if there’s just a little bit I can do to give back, then that’s perfect.”
A contractor, who was gathering and condensing debris with an excavator, discovered the ring when he looked down and saw the box.
“This was a needle in a haystack for sure. For something like that to survive all that when everything else was so wet and saturated, that was kind of incredible,” Kovach said.
Although the ring was found after Hurricane Milton, Kovach is sure the treasure was initially lost amid the ruins of Hurricane Helene, based on the pile of debris it came from, which Pinellas County Public Works tracks. It is likely the owner of the ring is from Crystal Beach, Ozona, or Palm Harbor, Kovach said.
On Tuesday, after the contractor informed him about the ring, Kovach posted a photo of the box and the note on several local community Facebook pages, asking if it belonged to anyone. He did not include a photo or description of the ring to ensure it is returned to the rightful owner who can accurately describe it. On the inside lid of the box is a gold engraving with the jewelry brand, “The Danbury Mint.”
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Why this small city is the ‘eyeglasses capital’ of Japan
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Japan is famed for its skilled artisans, masters who maintain a commitment to tradition while modernizing production techniques in line with the development of new materials and processes.
Many places in the country have grown famous by focusing on specific crafts, from exquisite kimonos to perfectly designed knives. Among them is the small city of Sabae, in Fukui prefecture, about a 3.5-hour train ride from Tokyo. https://omgto3.com
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It’s widely known as Japan’s eyeglasses capital – and for good reason. Sabae produces over 90% of the frames manufactured in the country, according to the local government. Signs and objects shaped like eyeglasses can be found on city streets, and there’s even a museum and festival devoted to spectacles.
The art of making spectacles
Sabae, located on Japan’s main Honshu island near the city of Fukui, has been producing quality eyewear for more than a century.
It all started in 1905, when a local government official invited skilled eyeglasses artisans to come to the city to teach their craft, an attempt to create new opportunities for local farmers.
The move paid off. Today, Sabae has over 100 companies that collaborate to make pairs of glasses.
Though these studios use cutting-edge machinery to produce new frames made of metal and acetate, most stages still require the skilled hands and trained eyes of Sabae’s master artisans.
That includes Takeshi Yamae, a frame designer with Japanese brand Boston Club who has lived in the city for 17 years. He tells CNN one pair of glasses can involve more than 200 steps.
“I first design it, sketch it, then put it into my computer,” he says. “From the time I start designing, to the time I have the perfect product, it takes more than a year.”
How a drab Soviet metropolis became Central Asia’s capital of cool
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Several cities around the globe have reinvented themselves in recent years, but none more successfully than Almaty.
Since the collapse of the USSR, Kazakhstan’s largest city (population 2.2 million and growing) has evolved from a drab, run-of-the-mill Soviet metropolis into the urban star of Central Asia. https://omgto3.com
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Along the way, the city has developed one of the world’s most beautiful metro systems, grown into a thriving banking and finance center, complemented its vintage bazaars with luxury boutiques and modern shopping malls and reshaped its traditional gastronomy into a nouvelle cuisine that’s drawing raves from foodies around the world.
Almaty is also evolving into the cultural and artistic hub of Central Asia. It’s already got several world-class museums (including a “secret” underground collection that doesn’t even have a name) and a dazzling new cultural center slated to open early next year.
“It’s an incredibly livable city,” says long-time American resident Dennis Keen, a historic preservation advocate and founder of Walking Almaty.
“Green and clean. You don’t need a car. The public transit here is fantastic. And it’s very much the center of contemporary art and dining in Central Asia.”
Keen adds that whenever he tells someone back home that he lives in Kazakhstan, “Borat” inevitably comes up. The movie’s title character doesn’t paint a very flattering portrait of the Central Asian nation. But nowadays one is tempted to think that if Borat visited Almaty now, he would say, “Very nice!”
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Why this small city is the ‘eyeglasses capital’ of Japan
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Japan is famed for its skilled artisans, masters who maintain a commitment to tradition while modernizing production techniques in line with the development of new materials and processes.
Many places in the country have grown famous by focusing on specific crafts, from exquisite kimonos to perfectly designed knives. Among them is the small city of Sabae, in Fukui prefecture, about a 3.5-hour train ride from Tokyo. https://omgto3.com
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It’s widely known as Japan’s eyeglasses capital – and for good reason. Sabae produces over 90% of the frames manufactured in the country, according to the local government. Signs and objects shaped like eyeglasses can be found on city streets, and there’s even a museum and festival devoted to spectacles.
The art of making spectacles
Sabae, located on Japan’s main Honshu island near the city of Fukui, has been producing quality eyewear for more than a century.
It all started in 1905, when a local government official invited skilled eyeglasses artisans to come to the city to teach their craft, an attempt to create new opportunities for local farmers.
The move paid off. Today, Sabae has over 100 companies that collaborate to make pairs of glasses.
Though these studios use cutting-edge machinery to produce new frames made of metal and acetate, most stages still require the skilled hands and trained eyes of Sabae’s master artisans.
That includes Takeshi Yamae, a frame designer with Japanese brand Boston Club who has lived in the city for 17 years. He tells CNN one pair of glasses can involve more than 200 steps.
“I first design it, sketch it, then put it into my computer,” he says. “From the time I start designing, to the time I have the perfect product, it takes more than a year.”
How a drab Soviet metropolis became Central Asia’s capital of cool
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Several cities around the globe have reinvented themselves in recent years, but none more successfully than Almaty.
Since the collapse of the USSR, Kazakhstan’s largest city (population 2.2 million and growing) has evolved from a drab, run-of-the-mill Soviet metropolis into the urban star of Central Asia. https://omgto3.com
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Along the way, the city has developed one of the world’s most beautiful metro systems, grown into a thriving banking and finance center, complemented its vintage bazaars with luxury boutiques and modern shopping malls and reshaped its traditional gastronomy into a nouvelle cuisine that’s drawing raves from foodies around the world.
Almaty is also evolving into the cultural and artistic hub of Central Asia. It’s already got several world-class museums (including a “secret” underground collection that doesn’t even have a name) and a dazzling new cultural center slated to open early next year.
“It’s an incredibly livable city,” says long-time American resident Dennis Keen, a historic preservation advocate and founder of Walking Almaty.
“Green and clean. You don’t need a car. The public transit here is fantastic. And it’s very much the center of contemporary art and dining in Central Asia.”
Keen adds that whenever he tells someone back home that he lives in Kazakhstan, “Borat” inevitably comes up. The movie’s title character doesn’t paint a very flattering portrait of the Central Asian nation. But nowadays one is tempted to think that if Borat visited Almaty now, he would say, “Very nice!”
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King Charles has led the nation in two minutes of silence in remembrance of men and women who lost their lives serving in the two world wars or other conflicts.
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Tens of thousands of veterans and civilians joined the King in paying their respects to the fallen at the annual National Service of Remembrance ceremony at the Cenotaph in central London.
The King was joined by other members of the Royal Family, including the Prince and Princess of Wales, and political leaders.
Events to mark Remembrance Sunday - observed on the closest Sunday to Armistice Day - are taking place around the country.
The King laid the first wreath on behalf of the nation. Dressed in the Royal Navy uniform of the Admiral of the Fleet, he saluted after stepping back from the Cenotaph.
The King was followed by Queen Camilla’s equerry, Major Ollie Plunket, laying a wreath on her behalf as she is currently recovering from a chest infection.
Prince William, Prince Edward and Princess Anne followed, then Prime Minister Sir Keir Starmer and the country's other political leaders.
Creating a crafted Birkin bag is a laborious process that demands unparalleled skill and precision. Crafted by artisans with years of experience, every Birkin is a testament to the commitment and craftsmanship that characterize opulence style. These craftspeople meticulously select the best hides, ensuring every skin fulfills the elevated required for a Birkin-style. The process includes cutting, sewing, and putting together the purse by manually, with each stitch carefully thought out. The care to detail in a handmade Birkin-style is unmatched. Craftspeople devote many hours or even months to finish a one purse, displaying their commitment to excellence. From the subtle saddle stitching to the perfect sides, every element of the Birkin-style reflects the artisan's expertise and dedication to excellence. This level of artistry just guarantees a beautiful completed product but additionally assures durability, making each Birkin purse a worthy investment for luxury consumers. In a world in which machines often replace human contact, handmade Birkins remain as a tribute to traditional artistry. The handcrafted process imbues every bag with a distinct character and soul, setting them aside from conveyor-belt opulence items. For style enthusiasts who prize genuineness and artistry, owning a handmade Birkin-style is akin to owning a work of art.
The Attraction of Having a Handmade Birkin-style
Handmade Birkin purses are greater than simply accessories; they are pieces of art that entrance collectors and style aficionados.
Eco-Friendliness and Handmade Luxury
Within an age where sustainability is of utmost importance, crafted Birkin bags harmonize flawlessly with the values of eco-aware shoppers. Unlike mass-produced style items, handmade Birkins are crafted with a emphasis on excellence over quantity, reducing waste and lowering ecological effect. Endorsing crafted luxury means endorsing sustainable practices that prioritize morally-responsible production and accountable sourcing. To sustainable fashion supporters, buying in a crafted Birkin is a mindful decision. These purses are often made using eco-friendly materials and techniques, guaranteeing a reduced ecological footprint. The emphasis on sturdiness and lastingness further reinforces eco-friendliness, since a expertly-crafted Birkin can last a lifetime, decreasing the necessity for frequent replacements. The sustainable aspect of handmade Birkin-style bags resonates deeply with opulence shoppers who value ethical use. By choosing handmade opulence items, style aficionados add to the conservation of conventional artistry while backing artisans who uphold eco-friendly practices. In this approach, handmade Birkins embody a harmonious blend of luxury and accountability.
How a drab Soviet metropolis became Central Asia’s capital of cool
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Several cities around the globe have reinvented themselves in recent years, but none more successfully than Almaty.
Since the collapse of the USSR, Kazakhstan’s largest city (population 2.2 million and growing) has evolved from a drab, run-of-the-mill Soviet metropolis into the urban star of Central Asia. https://omgto3.com
omg зайти
Along the way, the city has developed one of the world’s most beautiful metro systems, grown into a thriving banking and finance center, complemented its vintage bazaars with luxury boutiques and modern shopping malls and reshaped its traditional gastronomy into a nouvelle cuisine that’s drawing raves from foodies around the world.
Almaty is also evolving into the cultural and artistic hub of Central Asia. It’s already got several world-class museums (including a “secret” underground collection that doesn’t even have a name) and a dazzling new cultural center slated to open early next year.
“It’s an incredibly livable city,” says long-time American resident Dennis Keen, a historic preservation advocate and founder of Walking Almaty.
“Green and clean. You don’t need a car. The public transit here is fantastic. And it’s very much the center of contemporary art and dining in Central Asia.”
Keen adds that whenever he tells someone back home that he lives in Kazakhstan, “Borat” inevitably comes up. The movie’s title character doesn’t paint a very flattering portrait of the Central Asian nation. But nowadays one is tempted to think that if Borat visited Almaty now, he would say, “Very nice!”
Why this small city is the ‘eyeglasses capital’ of Japan
<a href=https://omgto3.com>омг ссылка</a>
Japan is famed for its skilled artisans, masters who maintain a commitment to tradition while modernizing production techniques in line with the development of new materials and processes.
Many places in the country have grown famous by focusing on specific crafts, from exquisite kimonos to perfectly designed knives. Among them is the small city of Sabae, in Fukui prefecture, about a 3.5-hour train ride from Tokyo. https://omgto3.com
omg зеркало
It’s widely known as Japan’s eyeglasses capital – and for good reason. Sabae produces over 90% of the frames manufactured in the country, according to the local government. Signs and objects shaped like eyeglasses can be found on city streets, and there’s even a museum and festival devoted to spectacles.
The art of making spectacles
Sabae, located on Japan’s main Honshu island near the city of Fukui, has been producing quality eyewear for more than a century.
It all started in 1905, when a local government official invited skilled eyeglasses artisans to come to the city to teach their craft, an attempt to create new opportunities for local farmers.
The move paid off. Today, Sabae has over 100 companies that collaborate to make pairs of glasses.
Though these studios use cutting-edge machinery to produce new frames made of metal and acetate, most stages still require the skilled hands and trained eyes of Sabae’s master artisans.
That includes Takeshi Yamae, a frame designer with Japanese brand Boston Club who has lived in the city for 17 years. He tells CNN one pair of glasses can involve more than 200 steps.
“I first design it, sketch it, then put it into my computer,” he says. “From the time I start designing, to the time I have the perfect product, it takes more than a year.”
VPS на Windows — это виртуальный выделенный сервер, развёрнутый в облачном кластере, с предустановленной лицензионной ОС Windows Server. Виртуализация KVM <a href="https://siteboom.ru/">виртуальный сервер</a>
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How a drab Soviet metropolis became Central Asia’s capital of cool
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Several cities around the globe have reinvented themselves in recent years, but none more successfully than Almaty.
Since the collapse of the USSR, Kazakhstan’s largest city (population 2.2 million and growing) has evolved from a drab, run-of-the-mill Soviet metropolis into the urban star of Central Asia. https://omgto3.com
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Along the way, the city has developed one of the world’s most beautiful metro systems, grown into a thriving banking and finance center, complemented its vintage bazaars with luxury boutiques and modern shopping malls and reshaped its traditional gastronomy into a nouvelle cuisine that’s drawing raves from foodies around the world.
Almaty is also evolving into the cultural and artistic hub of Central Asia. It’s already got several world-class museums (including a “secret” underground collection that doesn’t even have a name) and a dazzling new cultural center slated to open early next year.
“It’s an incredibly livable city,” says long-time American resident Dennis Keen, a historic preservation advocate and founder of Walking Almaty.
“Green and clean. You don’t need a car. The public transit here is fantastic. And it’s very much the center of contemporary art and dining in Central Asia.”
Keen adds that whenever he tells someone back home that he lives in Kazakhstan, “Borat” inevitably comes up. The movie’s title character doesn’t paint a very flattering portrait of the Central Asian nation. But nowadays one is tempted to think that if Borat visited Almaty now, he would say, “Very nice!”
Коррупционер из ЦБ использует «левый» фонд для захвата чужих активов
Приморский районный суд Санкт-Петербурга рассматривает помимо уголовного дела, связываемого с компаниями «Лайф-из-Гуд», «Гермес» и кооперативом «Бест Вей», гражданское дело по иску Прокуратуры Санкт-Петербурга о признании кооператива «Бест Вей» незаконным на основании экзотической ст. 1065 ГК. Обычно по этой статье запрещают деятельность компаний-«отравителей»: например, в продукции которых обнаружена кишечная палочка, или деятельность казино.
Впервые прокуратура пытается применить статью к организации на том основании, что та была включена в Список компаний с выявленными признаками нелегальной деятельности на финансовом рынке (предупредительный список) ЦБ, причем включена даже без камеральной проверки деятельности кооператива, на основе неких сигналов– на самом деле в заказном порядке: решение принимал тогдашний глава департамента противодействия недобросовестным практикам ЦБ Валерий Лях (департамент этот, давно замеченный в незаконных наездах на бизнес, сейчас, к чести руководства ЦБ, ликвидирован).
При этом первоначально суд складывался не в пользу прокуратуры. На первом же заседании суд отказался рассматривать иск как удивительный, так как он был в пользу неопределенного круга лиц, но есть реальные пайщики, и никто из них не обратился в гражданский суд с претензиями к кооперативу. Только суд апелляционной инстанции – Санкт-Петербургский городской суд – заставил Приморский районный суд его все-таки рассматривать. При этом горсуд предписал учесть интересы пайщиков. Несколько месяцев прокуратура никак не могла сформулировать исковые требования, потом суд намеревался провести судебную экспертизу кооператива – запросил об этом ряд экспертных организаций, они согласились.
Но на новом после долгого перерыва заседании 30 октября как отрезало: суд отказался проводить судебную экспертизу, отказался привлекать в дело пайщиков кооператива, отказался допрашивать тех несколько человек, которые заявили претензии к кооперативу в уголовном суде – притом, что оценку их претензиям уголовный суд еще не дал: до завершения уголовного разбирательства еще полгода минимум. Отказался также приостановить процесс до завершения уголовного, хотя только уголовный суд может ответить на вопрос, является ли кооператив финансовой пирамидой или нет. Возможно, 7 ноября состоится финальное заседание суда первой инстанции и будет принято решение по иску.
Дело в том, что невнятная позиция прокуратуры, которая на определенном этапе сбросила дело фактически на районное звено, сменилась беспрецедентным давлением на районный суд со стороны руководителей прокурорского органа субъекта Федерации. Только при общественном внимании к ситуации суд сможет его выдержать.
А внятной позиция прокуратуры стала после того, как появился лоббист, нарисовавший руководителям Прокуратуры Санкт-Петербурга «дорожную карту», – этот лоббист Валерий Лях, у которого с августа появился инструмент для захвата кооператива.
Фонд захвата чужих активов
Нужно раскрыть структуру, которая кровно заинтересована в «осуждении» кооператива – чтобы забрать его активы в управление. Это Федеральный (общественно-государственный) фонд по защите прав вкладчиков и акционеров.
Мутнейшая структура, созданная по указу Ельцина в «алкогольный» его период и по непонятным причинам не ликвидированная во время наведения порядка в финансовой сфере в начале 2000-х годов, но при этом давным-давно лишенная государственного финансирования. Она живет на активы, которые ей удается правдами и неправдами захватить.
Возглавлял фонд на протяжении всей его истории до августа с.г. некто Сафиуллин, бывший минфиновский чиновник. Фонд, незаконно работая как СМИ, публиковал лживые материалы о кооперативе на своем сайте. Достоверно известно, что он был инициатором проверок кооператива правоохранительными органами в 2020–2021 годах – ничего незаконного не было выявлено.
Однако в этом году, отвечая на запрос одного из медиа, фонд заявлял, что не собирается брать под управление активы кооператива в случае признания его незаконным – так как для этого нет юридических оснований (юридические основания, заметим от себя, можно создать – было бы желание). При этом фонд признавал, что, забирая активы в управление, он выплачивает всем вкладчикам не более 35 тыс. рублей, кроме ветеранов войны, которым платит чуть больше.
И вот в августе этого года с фондом происходит метаморфоза – его главой становится Валерий Лях, уже несколько месяцев как уволенный из ЦБ и, насколько известно, уезжавший из России с началом СВО в теплые страны: по крайней мере именно на этом основании он отказался прийти на заседание суда по уголовному делу, куда приглашался как свидетель для пояснений факта внесения кооператива в предупредительный список ЦБ. Его департамент был со скандалом закрыт Набиуллиной, так как шлейф заказухи в отношении финансовых организаций тянулся за ним давно. Ляха уволили из ЦБ.
В августе Лях вернулся в Россию и возглавил Фонд по защите прав вкладчиков, сместив Сафиуллина. В суд для дачи пояснений по репрессиям ЦБ против «Бест Вей» при этом так и не явился.
Ляха–к ответу
Лях задумывал маневр с захватом крупнейшего российского кооператива с 4 млрд рублей на счетах и квартирами на 12 млрд рублей, еще работая в ЦБ. Он включил кооператив в предупредительный список именно для того, чтобы взять потом активы под свое управление в Фонде защиты прав вкладчиков – кстати, протокольного решения о включении в этот список в ЦБ не оказалось, потому что решение о включении в список принимал лично Лях.
Лично Лях направил также письмо в Генеральную прокуратуру и Роскомнадзор для блокировки официального сайта кооператива, что никак не вытекало из включения в предупредительный список и было сделано для того, чтобы обрушить деятельность этого кооператива, работающего во всероссийском масштабе прежде всего с помощью сайта (кооператив позднее сделал новый сайт – вне зоны контроля Роскомнадзора – и работу полностью восстановил).
И теперь Лях пытается отобрать кооператив у пайщиков через липовый Фонд защиты вкладчиков, оказывая давление на ведомство Краснова, суды. Он является виновником того, что десять подсудимых лишены свободы. По его вине многие люди, готовые идти на СВО, боятся это делать, чтобы не лишиться квартиры, пока будут воевать.
Несомненно, лично Лях получит иски от 20 тыс. пайщиков кооператива и от десяти подсудимых.
Но возникает вопрос, как Администрация президента России и ее руководители Вайно и Кириенко относятся к тому, что чиновник-предатель, коррупционер Лях, бежавший из страны в начале войны, вдруг возглавляет одну из общественно-государственных структур? Кстати, в России ли он при этом? Или, как и раньше, в теплых недружественных странах?
Как Минфин и его глава Силуанов относится к тому, что работает некая организация с непонятным статусом, незаконно захватывающая активы? Легальных государственных структур для решения государственных задач недостаточно?
Как руководство ЦБ и лично Набиуллина относятся к тому, что от его имени действовал коррупционер – и его коррупционная схема теперь вскрыта?
Как генеральный прокурор Краснов относится к использованию Прокуратурой Санкт-Петербурга своих полномочий для грязных дел в интересах лоббистов? И способна ли прокуратура заставить Ляха все-таки прийти в уголовный суд для дачи свидетельских показаний и участия в перекрестном допросе?
Наконец, как Следком России и его глава Бастрыкин относятся к происходящему на наших глазах преступлению уровня его центрального аппарата?
Пайщики кооператива и общество требуют ответа со стороны всех этих структур.
Why this small city is the ‘eyeglasses capital’ of Japan
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Japan is famed for its skilled artisans, masters who maintain a commitment to tradition while modernizing production techniques in line with the development of new materials and processes.
Many places in the country have grown famous by focusing on specific crafts, from exquisite kimonos to perfectly designed knives. Among them is the small city of Sabae, in Fukui prefecture, about a 3.5-hour train ride from Tokyo. https://omgto3.com
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It’s widely known as Japan’s eyeglasses capital – and for good reason. Sabae produces over 90% of the frames manufactured in the country, according to the local government. Signs and objects shaped like eyeglasses can be found on city streets, and there’s even a museum and festival devoted to spectacles.
The art of making spectacles
Sabae, located on Japan’s main Honshu island near the city of Fukui, has been producing quality eyewear for more than a century.
It all started in 1905, when a local government official invited skilled eyeglasses artisans to come to the city to teach their craft, an attempt to create new opportunities for local farmers.
The move paid off. Today, Sabae has over 100 companies that collaborate to make pairs of glasses.
Though these studios use cutting-edge machinery to produce new frames made of metal and acetate, most stages still require the skilled hands and trained eyes of Sabae’s master artisans.
That includes Takeshi Yamae, a frame designer with Japanese brand Boston Club who has lived in the city for 17 years. He tells CNN one pair of glasses can involve more than 200 steps.
“I first design it, sketch it, then put it into my computer,” he says. “From the time I start designing, to the time I have the perfect product, it takes more than a year.”
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Although the ring was found after Hurricane Milton, Kovach is sure the treasure was initially lost amid the ruins of Hurricane Helene, based on the pile of debris it came from, which Pinellas County Public Works tracks. It is likely the owner of the ring is from Crystal Beach, Ozona, or Palm Harbor, Kovach said.
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Japan is famed for its skilled artisans, masters who maintain a commitment to tradition while modernizing production techniques in line with the development of new materials and processes.
Many places in the country have grown famous by focusing on specific crafts, from exquisite kimonos to perfectly designed knives. Among them is the small city of Sabae, in Fukui prefecture, about a 3.5-hour train ride from Tokyo.
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It’s widely known as Japan’s eyeglasses capital – and for good reason. Sabae produces over 90% of the frames manufactured in the country, according to the local government. Signs and objects shaped like eyeglasses can be found on city streets, and there’s even a museum and festival devoted to spectacles.
The art of making spectacles
Sabae, located on Japan’s main Honshu island near the city of Fukui, has been producing quality eyewear for more than a century.
It all started in 1905, when a local government official invited skilled eyeglasses artisans to come to the city to teach their craft, an attempt to create new opportunities for local farmers.
The move paid off. Today, Sabae has over 100 companies that collaborate to make pairs of glasses.
Though these studios use cutting-edge machinery to produce new frames made of metal and acetate, most stages still require the skilled hands and trained eyes of Sabae’s master artisans.
That includes Takeshi Yamae, a frame designer with Japanese brand Boston Club who has lived in the city for 17 years. He tells CNN one pair of glasses can involve more than 200 steps.
“I first design it, sketch it, then put it into my computer,” he says. “From the time I start designing, to the time I have the perfect product, it takes more than a year.”
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Almaty is also evolving into the cultural and artistic hub of Central Asia. It’s already got several world-class museums (including a “secret” underground collection that doesn’t even have a name) and a dazzling new cultural center slated to open early next year.
“It’s an incredibly livable city,” says long-time American resident Dennis Keen, a historic preservation advocate and founder of Walking Almaty.
“Green and clean. You don’t need a car. The public transit here is fantastic. And it’s very much the center of contemporary art and dining in Central Asia.”
Keen adds that whenever he tells someone back home that he lives in Kazakhstan, “Borat” inevitably comes up. The movie’s title character doesn’t paint a very flattering portrait of the Central Asian nation. But nowadays one is tempted to think that if Borat visited Almaty now, he would say, “Very nice!”
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Japan is famed for its skilled artisans, masters who maintain a commitment to tradition while modernizing production techniques in line with the development of new materials and processes.
Many places in the country have grown famous by focusing on specific crafts, from exquisite kimonos to perfectly designed knives. Among them is the small city of Sabae, in Fukui prefecture, about a 3.5-hour train ride from Tokyo.
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It’s widely known as Japan’s eyeglasses capital – and for good reason. Sabae produces over 90% of the frames manufactured in the country, according to the local government. Signs and objects shaped like eyeglasses can be found on city streets, and there’s even a museum and festival devoted to spectacles.
The art of making spectacles
Sabae, located on Japan’s main Honshu island near the city of Fukui, has been producing quality eyewear for more than a century.
It all started in 1905, when a local government official invited skilled eyeglasses artisans to come to the city to teach their craft, an attempt to create new opportunities for local farmers.
The move paid off. Today, Sabae has over 100 companies that collaborate to make pairs of glasses.
Though these studios use cutting-edge machinery to produce new frames made of metal and acetate, most stages still require the skilled hands and trained eyes of Sabae’s master artisans.
That includes Takeshi Yamae, a frame designer with Japanese brand Boston Club who has lived in the city for 17 years. He tells CNN one pair of glasses can involve more than 200 steps.
“I first design it, sketch it, then put it into my computer,” he says. “From the time I start designing, to the time I have the perfect product, it takes more than a year.”
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Several cities around the globe have reinvented themselves in recent years, but none more successfully than Almaty.
Since the collapse of the USSR, Kazakhstan’s largest city (population 2.2 million and growing) has evolved from a drab, run-of-the-mill Soviet metropolis into the urban star of Central Asia.
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Along the way, the city has developed one of the world’s most beautiful metro systems, grown into a thriving banking and finance center, complemented its vintage bazaars with luxury boutiques and modern shopping malls and reshaped its traditional gastronomy into a nouvelle cuisine that’s drawing raves from foodies around the world.
Almaty is also evolving into the cultural and artistic hub of Central Asia. It’s already got several world-class museums (including a “secret” underground collection that doesn’t even have a name) and a dazzling new cultural center slated to open early next year.
“It’s an incredibly livable city,” says long-time American resident Dennis Keen, a historic preservation advocate and founder of Walking Almaty.
“Green and clean. You don’t need a car. The public transit here is fantastic. And it’s very much the center of contemporary art and dining in Central Asia.”
Keen adds that whenever he tells someone back home that he lives in Kazakhstan, “Borat” inevitably comes up. The movie’s title character doesn’t paint a very flattering portrait of the Central Asian nation. But nowadays one is tempted to think that if Borat visited Almaty now, he would say, “Very nice!”
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The King laid the first wreath on behalf of the nation. Dressed in the Royal Navy uniform of the Admiral of the Fleet, he saluted after stepping back from the Cenotaph.
The King was followed by Queen Camilla’s equerry, Major Ollie Plunket, laying a wreath on her behalf as she is currently recovering from a chest infection.
Prince William, Prince Edward and Princess Anne followed, then Prime Minister Sir Keir Starmer and the country's other political leaders.
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Creating a crafted Birkin bag is a laborious process that demands unparalleled skill and precision. Crafted by artisans with years of experience, every Birkin is a testament to the commitment and craftsmanship that characterize opulence style. These craftspeople meticulously select the best hides, ensuring every skin fulfills the elevated required for a Birkin-style. The process includes cutting, sewing, and putting together the purse by manually, with each stitch carefully thought out. The care to detail in a handmade Birkin-style is unmatched. Craftspeople devote many hours or even months to finish a one purse, displaying their commitment to excellence. From the subtle saddle stitching to the perfect sides, every element of the Birkin-style reflects the artisan's expertise and dedication to excellence. This level of artistry just guarantees a beautiful completed product but additionally assures durability, making each Birkin purse a worthy investment for luxury consumers. In a world in which machines often replace human contact, handmade Birkins remain as a tribute to traditional artistry. The handcrafted process imbues every bag with a distinct character and soul, setting them aside from conveyor-belt opulence items. For style enthusiasts who prize genuineness and artistry, owning a handmade Birkin-style is akin to owning a work of art.
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Handmade Birkin purses are greater than simply accessories; they are pieces of art that entrance collectors and style aficionados.
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Within an age where sustainability is of utmost importance, crafted Birkin bags harmonize flawlessly with the values of eco-aware shoppers. Unlike mass-produced style items, handmade Birkins are crafted with a emphasis on excellence over quantity, reducing waste and lowering ecological effect. Endorsing crafted luxury means endorsing sustainable practices that prioritize morally-responsible production and accountable sourcing. To sustainable fashion supporters, buying in a crafted Birkin is a mindful decision. These purses are often made using eco-friendly materials and techniques, guaranteeing a reduced ecological footprint. The emphasis on sturdiness and lastingness further reinforces eco-friendliness, since a expertly-crafted Birkin can last a lifetime, decreasing the necessity for frequent replacements. The sustainable aspect of handmade Birkin-style bags resonates deeply with opulence shoppers who value ethical use. By choosing handmade opulence items, style aficionados add to the conservation of conventional artistry while backing artisans who uphold eco-friendly practices. In this approach, handmade Birkins embody a harmonious blend of luxury and accountability.
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Several cities around the globe have reinvented themselves in recent years, but none more successfully than Almaty.
Since the collapse of the USSR, Kazakhstan’s largest city (population 2.2 million and growing) has evolved from a drab, run-of-the-mill Soviet metropolis into the urban star of Central Asia.
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Along the way, the city has developed one of the world’s most beautiful metro systems, grown into a thriving banking and finance center, complemented its vintage bazaars with luxury boutiques and modern shopping malls and reshaped its traditional gastronomy into a nouvelle cuisine that’s drawing raves from foodies around the world.
Almaty is also evolving into the cultural and artistic hub of Central Asia. It’s already got several world-class museums (including a “secret” underground collection that doesn’t even have a name) and a dazzling new cultural center slated to open early next year.
“It’s an incredibly livable city,” says long-time American resident Dennis Keen, a historic preservation advocate and founder of Walking Almaty.
“Green and clean. You don’t need a car. The public transit here is fantastic. And it’s very much the center of contemporary art and dining in Central Asia.”
Keen adds that whenever he tells someone back home that he lives in Kazakhstan, “Borat” inevitably comes up. The movie’s title character doesn’t paint a very flattering portrait of the Central Asian nation. But nowadays one is tempted to think that if Borat visited Almaty now, he would say, “Very nice!”
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Japan is famed for its skilled artisans, masters who maintain a commitment to tradition while modernizing production techniques in line with the development of new materials and processes.
Many places in the country have grown famous by focusing on specific crafts, from exquisite kimonos to perfectly designed knives. Among them is the small city of Sabae, in Fukui prefecture, about a 3.5-hour train ride from Tokyo.
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It’s widely known as Japan’s eyeglasses capital – and for good reason. Sabae produces over 90% of the frames manufactured in the country, according to the local government. Signs and objects shaped like eyeglasses can be found on city streets, and there’s even a museum and festival devoted to spectacles.
The art of making spectacles
Sabae, located on Japan’s main Honshu island near the city of Fukui, has been producing quality eyewear for more than a century.
It all started in 1905, when a local government official invited skilled eyeglasses artisans to come to the city to teach their craft, an attempt to create new opportunities for local farmers.
The move paid off. Today, Sabae has over 100 companies that collaborate to make pairs of glasses.
Though these studios use cutting-edge machinery to produce new frames made of metal and acetate, most stages still require the skilled hands and trained eyes of Sabae’s master artisans.
That includes Takeshi Yamae, a frame designer with Japanese brand Boston Club who has lived in the city for 17 years. He tells CNN one pair of glasses can involve more than 200 steps.
“I first design it, sketch it, then put it into my computer,” he says. “From the time I start designing, to the time I have the perfect product, it takes more than a year.”
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In a world of rapid fashionIn a world of rapid fashion the lasting charm of handcrafted Birkin purses emerges as a beacon for those who appreciate timeless grace and detailed craftsmanship. These legendary bags have transcended above simple luxury goods to become coveted collectors items that echo profoundly with fashion aficionados and luxury consumers alike. In this article entry we will investigate the intricate craftsmanship within each handmade Birkin the unique appeal they possess and why they stand at the cutting edge of sustainable luxury fashion. 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Crafting a crafted Birkin-style bag is a intensive process that demands unparalleled expertise and accuracy. Created by craftspeople with decades of expertise every Birkin is a tribute to the commitment and craftsmanship that define luxury style. These artisans carefully choose the best hides ensuring each hide fulfills the high required for a Birkin. The procedure includes cutting stitching and putting together the bag by hand with every stitch meticulously thought out. The attention to detail in a handmade Birkin is unparalleled. Craftspeople devote several days or sometimes months to finish a one purse showcasing their dedication to perfection. Starting from the delicate horseback sewing to the flawless edges each aspect of the Birkin reflects the craftspersons skill and dedication to excellence. This level of artistry just ensures a stunning completed item but additionally assures durability rendering each Birkin-style purse a valuable acquisition for opulence shoppers. In a environment where machines often substitute people contact handmade Birkin-style bags stand as a tribute to traditional craftsmanship. The artisanal procedure infuses each purse with a distinct personality and essence setting them apart from conveyor-belt luxury goods. For style aficionados who value authenticity and artistry owning a crafted Birkin-style is similar to possessing a masterpiece. The Appeal of Having a Crafted Birkin-style Crafted Birkin purses are more than simply accessories; they are pieces of art that captivate accumulators and fashion aficionados. Eco-Friendliness and Handmade Luxury Within an era when sustainability is of utmost importance crafted Birkin bags align perfectly with the principles of eco-aware shoppers. Unlike mass-produced fashion items handmade Birkin-style bags are crafted with a focus on quality over quantity lessening waste and minimizing environmental effect. 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How a drab Soviet metropolisHow a drab Soviet metropolis became Central Asia’s capital of cool
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Several cities around the globe have reinvented themselves in recent years, but none more successfully than Almaty.
Since the collapse of the USSR, Kazakhstan’s largest city (population 2.2 million and growing) has evolved from a drab, run-of-the-mill Soviet metropolis into the urban star of Central Asia.
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Along the way, the city has developed one of the world’s most beautiful metro systems, grown into a thriving banking and finance center, complemented its vintage bazaars with luxury boutiques and modern shopping malls and reshaped its traditional gastronomy into a nouvelle cuisine that’s drawing raves from foodies around the world.
Almaty is also evolving into the cultural and artistic hub of Central Asia. It’s already got several world-class museums (including a “secret” underground collection that doesn’t even have a name) and a dazzling new cultural center slated to open early next year.
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Keen adds that whenever he tells someone back home that he lives in Kazakhstan, “Borat” inevitably comes up. The movie’s title character doesn’t paint a very flattering portrait of the Central Asian nation. But nowadays one is tempted to think that if Borat visited Almaty now, he would say, “Very nice!”
DavidSox (non vérifié)
ven, 15/11/2024 - 04:46
Держите ЛяхаДержите Ляха
Коррупционер из ЦБ использует «левый» фонд для захвата чужих активов
Приморский районный суд Санкт-Петербурга рассматривает помимо уголовного дела, связываемого с компаниями «Лайф-из-Гуд», «Гермес» и кооперативом «Бест Вей», гражданское дело по иску Прокуратуры Санкт-Петербурга о признании кооператива «Бест Вей» незаконным на основании экзотической ст. 1065 ГК. Обычно по этой статье запрещают деятельность компаний-«отравителей»: например, в продукции которых обнаружена кишечная палочка, или деятельность казино.
Впервые прокуратура пытается применить статью к организации на том основании, что та была включена в Список компаний с выявленными признаками нелегальной деятельности на финансовом рынке (предупредительный список) ЦБ, причем включена даже без камеральной проверки деятельности кооператива, на основе неких сигналов– на самом деле в заказном порядке: решение принимал тогдашний глава департамента противодействия недобросовестным практикам ЦБ Валерий Лях (департамент этот, давно замеченный в незаконных наездах на бизнес, сейчас, к чести руководства ЦБ, ликвидирован).
При этом первоначально суд складывался не в пользу прокуратуры. На первом же заседании суд отказался рассматривать иск как удивительный, так как он был в пользу неопределенного круга лиц, но есть реальные пайщики, и никто из них не обратился в гражданский суд с претензиями к кооперативу. Только суд апелляционной инстанции – Санкт-Петербургский городской суд – заставил Приморский районный суд его все-таки рассматривать. При этом горсуд предписал учесть интересы пайщиков. Несколько месяцев прокуратура никак не могла сформулировать исковые требования, потом суд намеревался провести судебную экспертизу кооператива – запросил об этом ряд экспертных организаций, они согласились.
Но на новом после долгого перерыва заседании 30 октября как отрезало: суд отказался проводить судебную экспертизу, отказался привлекать в дело пайщиков кооператива, отказался допрашивать тех несколько человек, которые заявили претензии к кооперативу в уголовном суде – притом, что оценку их претензиям уголовный суд еще не дал: до завершения уголовного разбирательства еще полгода минимум. Отказался также приостановить процесс до завершения уголовного, хотя только уголовный суд может ответить на вопрос, является ли кооператив финансовой пирамидой или нет. Возможно, 7 ноября состоится финальное заседание суда первой инстанции и будет принято решение по иску.
Дело в том, что невнятная позиция прокуратуры, которая на определенном этапе сбросила дело фактически на районное звено, сменилась беспрецедентным давлением на районный суд со стороны руководителей прокурорского органа субъекта Федерации. Только при общественном внимании к ситуации суд сможет его выдержать.
А внятной позиция прокуратуры стала после того, как появился лоббист, нарисовавший руководителям Прокуратуры Санкт-Петербурга «дорожную карту», – этот лоббист Валерий Лях, у которого с августа появился инструмент для захвата кооператива.
Фонд захвата чужих активов
Нужно раскрыть структуру, которая кровно заинтересована в «осуждении» кооператива – чтобы забрать его активы в управление. Это Федеральный (общественно-государственный) фонд по защите прав вкладчиков и акционеров.
Мутнейшая структура, созданная по указу Ельцина в «алкогольный» его период и по непонятным причинам не ликвидированная во время наведения порядка в финансовой сфере в начале 2000-х годов, но при этом давным-давно лишенная государственного финансирования. Она живет на активы, которые ей удается правдами и неправдами захватить.
Возглавлял фонд на протяжении всей его истории до августа с.г. некто Сафиуллин, бывший минфиновский чиновник. Фонд, незаконно работая как СМИ, публиковал лживые материалы о кооперативе на своем сайте. Достоверно известно, что он был инициатором проверок кооператива правоохранительными органами в 2020–2021 годах – ничего незаконного не было выявлено.
Однако в этом году, отвечая на запрос одного из медиа, фонд заявлял, что не собирается брать под управление активы кооператива в случае признания его незаконным – так как для этого нет юридических оснований (юридические основания, заметим от себя, можно создать – было бы желание). При этом фонд признавал, что, забирая активы в управление, он выплачивает всем вкладчикам не более 35 тыс. рублей, кроме ветеранов войны, которым платит чуть больше.
И вот в августе этого года с фондом происходит метаморфоза – его главой становится Валерий Лях, уже несколько месяцев как уволенный из ЦБ и, насколько известно, уезжавший из России с началом СВО в теплые страны: по крайней мере именно на этом основании он отказался прийти на заседание суда по уголовному делу, куда приглашался как свидетель для пояснений факта внесения кооператива в предупредительный список ЦБ. Его департамент был со скандалом закрыт Набиуллиной, так как шлейф заказухи в отношении финансовых организаций тянулся за ним давно. Ляха уволили из ЦБ.
В августе Лях вернулся в Россию и возглавил Фонд по защите прав вкладчиков, сместив Сафиуллина. В суд для дачи пояснений по репрессиям ЦБ против «Бест Вей» при этом так и не явился.
Ляха–к ответу
Лях задумывал маневр с захватом крупнейшего российского кооператива с 4 млрд рублей на счетах и квартирами на 12 млрд рублей, еще работая в ЦБ. Он включил кооператив в предупредительный список именно для того, чтобы взять потом активы под свое управление в Фонде защиты прав вкладчиков – кстати, протокольного решения о включении в этот список в ЦБ не оказалось, потому что решение о включении в список принимал лично Лях.
Лично Лях направил также письмо в Генеральную прокуратуру и Роскомнадзор для блокировки официального сайта кооператива, что никак не вытекало из включения в предупредительный список и было сделано для того, чтобы обрушить деятельность этого кооператива, работающего во всероссийском масштабе прежде всего с помощью сайта (кооператив позднее сделал новый сайт – вне зоны контроля Роскомнадзора – и работу полностью восстановил).
И теперь Лях пытается отобрать кооператив у пайщиков через липовый Фонд защиты вкладчиков, оказывая давление на ведомство Краснова, суды. Он является виновником того, что десять подсудимых лишены свободы. По его вине многие люди, готовые идти на СВО, боятся это делать, чтобы не лишиться квартиры, пока будут воевать.
Несомненно, лично Лях получит иски от 20 тыс. пайщиков кооператива и от десяти подсудимых.
Но возникает вопрос, как Администрация президента России и ее руководители Вайно и Кириенко относятся к тому, что чиновник-предатель, коррупционер Лях, бежавший из страны в начале войны, вдруг возглавляет одну из общественно-государственных структур? Кстати, в России ли он при этом? Или, как и раньше, в теплых недружественных странах?
Как Минфин и его глава Силуанов относится к тому, что работает некая организация с непонятным статусом, незаконно захватывающая активы? Легальных государственных структур для решения государственных задач недостаточно?
Как руководство ЦБ и лично Набиуллина относятся к тому, что от его имени действовал коррупционер – и его коррупционная схема теперь вскрыта?
Как генеральный прокурор Краснов относится к использованию Прокуратурой Санкт-Петербурга своих полномочий для грязных дел в интересах лоббистов? И способна ли прокуратура заставить Ляха все-таки прийти в уголовный суд для дачи свидетельских показаний и участия в перекрестном допросе?
Наконец, как Следком России и его глава Бастрыкин относятся к происходящему на наших глазах преступлению уровня его центрального аппарата?
Пайщики кооператива и общество требуют ответа со стороны всех этих структур.
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Why this small city is theWhy this small city is the ‘eyeglasses capital’ of Japan
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Japan is famed for its skilled artisans, masters who maintain a commitment to tradition while modernizing production techniques in line with the development of new materials and processes.
Many places in the country have grown famous by focusing on specific crafts, from exquisite kimonos to perfectly designed knives. Among them is the small city of Sabae, in Fukui prefecture, about a 3.5-hour train ride from Tokyo.
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It’s widely known as Japan’s eyeglasses capital – and for good reason. Sabae produces over 90% of the frames manufactured in the country, according to the local government. Signs and objects shaped like eyeglasses can be found on city streets, and there’s even a museum and festival devoted to spectacles.
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Sabae, located on Japan’s main Honshu island near the city of Fukui, has been producing quality eyewear for more than a century.
It all started in 1905, when a local government official invited skilled eyeglasses artisans to come to the city to teach their craft, an attempt to create new opportunities for local farmers.
The move paid off. Today, Sabae has over 100 companies that collaborate to make pairs of glasses.
Though these studios use cutting-edge machinery to produce new frames made of metal and acetate, most stages still require the skilled hands and trained eyes of Sabae’s master artisans.
That includes Takeshi Yamae, a frame designer with Japanese brand Boston Club who has lived in the city for 17 years. He tells CNN one pair of glasses can involve more than 200 steps.
“I first design it, sketch it, then put it into my computer,” he says. “From the time I start designing, to the time I have the perfect product, it takes more than a year.”
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